Dr Philip Fine
Senior Lecturer in Psychology, Admissions Tutor
in Psychology
philip.fine@buckingham.ac.uk
Philip joined Buckingham in 1996, when finishing a
DPhil
on face processing and hemispheric
asymmetry at the University of Oxford. He teaches courses in
Introduction
to
Psychology,
Cognition,
Perception,
Biological Psychology and Cognitive
Neuroscience & Neuropsychology. He is a Graduate member of the
BPS and a member of SEMPRE (Society for Education, Music and Psychology Research) and
ESCOM (European Society for the Cognitive Sciences of Music). Being a singer and
pianist, it is not surprising that his interests moved towards
the area of music psychology in which he both researches and
supervises student projects.
Research interests:
Philip's main area of research concerns the psychology of music, in particular the cognitive processes involved in expert sight-singing. Current investigations also include those into the factors affecting the understanding of sung lyrics, mental rehearsal in musicians, and memory for musical speed. He is also interested in expert problem solving, and is currently involved in research into cryptic crossword and sudoku solving. Other areas of interest include various aspects of cognition (time estimation, memory and language) and perception (visual and auditory), and of cognitive neuropsychology, such as face processing and hemispheric asymmetry. Philip is particularly interested in supervising research students for projects on sung text intelligibility, expertise in sight-singing music and expertise and strategies in cryptic crossword completion.
Selected recent publications and conference papers:
Bravo, A. & P. Fine, Studying a score silently: What benefits can it bring to performance? International Symposium on Performance Science (Auckland, New Zealand), 2009.
Fine, P. & S. Bull, Memory for tactus and musical tempo: The effects of expertise and speed on keeping time. International Symposium on Performance Science (Auckland, New Zealand), 2009.
Fine, P., J. Ginsborg & C. Barlow, The influence of listeners' singing experience and the number of singers on the understanding of sung text. International Symposium on Performance Science (Auckland, New Zealand), 2009.
Friedlander, K. & P. Fine, Expertise in cryptic crossword performance: An exploratory survey. International Symposium on Performance Science (Auckland, New Zealand), 2009.
Russell, K. & P. Fine, The effects of music tempo on time perception and word search performance. BPS Cognitive Psychology Section 26th Annual Conference (University of Hertfordshire, UK), 2009.
Hoffmann, F. & P. Fine, The role of working memory in solving Sudoku. BPS Cognitive Psychology Section 26th Annual Conference (University of Hertfordshire, UK), 2009.
Fine, P., A. Berry & B. Rosner, The effect of pattern recognition and tonal predictability on sight-singing ability. Psychology of Music 34.4 (2006), 431-447.
Costa, M., P. Fine & P. Ricci Bitti,
Interval distributions, mode, and tonal strength of melodies as
predictors of perceived emotion.
Music Perception
22.1 (2004), 1-14.
Fine, P. & H. Younger,
Sight-singing
performance and piano accompaniment. 8th International Conference
on Music Perception and Cognition (Northwestern University,
Evanston
IL,
USA),
2004.
More information about Philip can be found in the
Directory of Experts
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